i am a fashion designer. gee
click here to maximize your minimalism!

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click here to view my favorites from the archives. gee




are you a fonts enthusiast? a typophile?
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find the beauty on your daily walk! take time to notice the details of your landscape.
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there is nothing like seeing a great handbag in action.
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plastics are our future. how can you resist plastic? it is so shiny and pleasing. I have a penchant for plastics.
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chronicling my quest for the one true
Greek Cup
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have you ever noticed the similarity between nyc fire call boxes and benevolent Kannon, goddess of mercy?
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every design, fashion and art magazine I read lately features some important directional artist making big contributions to their genre. and where do they live? brooklyn!
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who says there are no more 'new ideas' in art and design? the newness is in the juxtaposition.
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this is how I really get things done. with my little green co-worker/task-master.
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my clothing & accessories design
east-meets-west minimalism

my site

the look
dressy utilitarian

my concept
useful, economical, modular pieces that can be mix-matched in numerous ways (because why can't fashion be useful and lasting? I think it can!) So I say Maximize your Minimalism!

Satin Karate Belt featured in Dec 06 Real Simple

Voted Best Designer 2006 Style Bakery
'On the Rise'

Daily Buss Feature

Luckymag.com Feature

in the blog press
midtown lunch
the girl who ate everything
queens eats
(into) the fray
funky finds
style document
gowanus lounge
far too cute
ethereal bliss
couture in the city
independent luxe
decor 8
funky finds
urban socialite
lady licorice
high fashion girl

more press...

furniture (especially chairs from the 50s and 60s), uniforms, repeating patterns, menswear, Oscar Niemeyer, traditional Japanese architecture, the Rimpa School and Ogata Korin's 8-Point Bridge, Matisse, bromeliads, succulents and other waxy flora

particular loves
bamboo, coral, moss, woodgrain, silhouettes & other cut-outs, plastic, low-resolution images, the photo copier, off-registration prints, Max Ernst's Lunar Asparagus, NYC fire call boxes that look like Kannon, Fauvist color sense, the Noguchi Museum, pretty much all of Abstract Expressionism

magazines of current interest
Domino, Elle Decor (British), ARTnews, Art in America, Wallpaper

favorite heel style
the wedge, but a sleek modern interpretation

second favorite
the stiletto

current shoe obsession
alas, the sneaker. (because I live in nyc and walk a ton!) but not too sneakery of a sneaker. more of a sneaker disguised as a shoe, like a mary jane style or a high-tech looking black one with a metallic accent. how about Royal Elastics? I must go try some on. I really like the non-sneakeryness of their styles.





shop & compare: john derian

John Derian's decoupage plates

Inside John Derian Company Inc in the East Village,
there are curious objects everywhere you look.

I love how Bergdorf Goodman recreated John Derian's signature aesthetic on the 7th floor last Tuesday to showcase the decoupage designer's debut furniture collection. So much so that I wanted to pay a visit to Derian's East Village shops, and study his smaller design objects more closely. He has two shops right next store to each other on 2nd Street, between Bowery and 2nd Avenue.

If you are shopping for one of Derian's decoupage designs, there is certainly no shortage of selection at his store. Wow! The density of the objects displayed is heady. The mix of objects is pleasing too: Astier de Villatte terracotta slip-glazed pottery (modern yet with a 19th century quality) are displayed alongside "finger sponges" and other natural objects that look more like scientific curiosities than things you can purchase. But purchase them, you can. I especially love the wall of "mushroom consoles" made by Mark St. Clair near the back of the store on the left.

John Derian's retail design and unique aesthetic seems to borrow from Charles Wilson Peale's ideas about museum displays (he was a naturalist and a painter; see this painting). When I browse through Derian's store, I feel like I am in a museum of ethnography from the late 19th century. There is a curious mix of curious objects excavated from times past, displayed in wood-frame glass vitrines where the glass has melted a bit. There is an overwhelming amount of objects to explore and the room can start to close in on you, but it is worth the time spent discovering.

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